Assammakiitina - Revision history

MiaKvigan: /* Nouns */

2026-09-05T22:00:22Z

Nouns

← Older revision		Revision as of 22:00, 5 September 2026
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	==== Role assignment ====		==== Role assignment ====
	A noun's semantic role in a sentence is indicated by an ending/inflection and a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead shifts in the opposite direction. When inflecting, delete word-final 'a', 'e', and 'o', and separate other vowels with 'h'.		A noun's semantic role in a sentence is indicated by an ending/inflection and a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead shifts in the opposite direction. When inflecting, delete word-final 'a', 'e', and 'o', and separate other vowels with <h> /∅/.

	* agent of progressive verbs (nominative - NOM): [0,+1,-1] on root, -da[+1] ending		* agent of progressive verbs (nominative - NOM): [0,+1,-1] on root, -da[+1] ending

MiaKvigan: /* Nouns */

2026-09-05T14:12:23Z

Nouns

← Older revision		Revision as of 14:12, 5 September 2026
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	==== Personal pronouns ====		==== Personal pronouns ====
	~~na -~~ 1~~.AN~~		{\| class="wikitable"
			\|+
	~~tou - 1.INAN~~		! colspan="2" \|Person →
			↓ Class
	ṡu - 2~~.AN.FEM~~		!1
			!2
	~~ṿaeit~~' - ~~2.AN.MASC~~		!3
			!4
	~~tóó~~ - 2~~.INAN~~		!INT
			\|-
	~~ḥana - 3.AN.MASC~~		\| rowspan="2" \|ORG
			\|THNK
	~~tani - 3.AN.FEM~~		\|na
			\|su
	~~ṭo - 3.INAN~~		\|ṇa
			\| rowspan="3" \|qik'ala
			\|lou
			\|-
			\|NTHNK
			\|tele
			\|t'ana
			\|ḥama
			\|neme
			\|-
			\| colspan="2" \|NORG
			\|tou
			\|qile
			\|dape
			\|t'at'i
			\|}

	==== Deictic pronouns ====		==== Deictic pronouns ====
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	==== Role assignment ====		==== Role assignment ====
	A noun's semantic role in a sentence is indicated by a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead shifts in the opposite direction.		A noun's semantic role in a sentence is indicated by an ending/inflection and a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead shifts in the opposite direction. When inflecting, delete word-final 'a', 'e', and 'o', and separate other vowels with 'h'.

	* agent of progressive verbs (nominative - NOM): 0,+1,-1		* agent of progressive verbs (nominative - NOM): [0,+1,-1] on root, -da[+1] ending
	* agent of stative verbs and copula, patient of progressive verbs (direct - DIR): 0,-1,0		* agent of stative verbs and copula, patient of progressive verbs (direct - DIR): [0,-1,0] on root, -ena[-1] inflection
	* patient of stative verbs (accusative - ACC): -1,-1,+2		* patient of stative verbs (accusative - ACC): [-1,-1,+3] on root, -le[-2] ending
	* indirect object of ditransitive verbs (dative - DAT): -2,0,-1		* indirect object of ditransitive verbs (dative - DAT): [-2,0,-1] on root, -tihe[+2,-1] ending
	* noun complement, patient of copula (genitive - GEN): -1,0,+2		* noun complement, patient of copula (genitive - GEN): [-1,0,+2] on root, -oup'a[-1] inflection
	* anything else (oblique - OBL): +2,-1,0<br />		* anything else (oblique - OBL): [0,0,0] on root, add -nou[-1] ending<br />

	ṿanade /vˁanadɛ/ - black		ṿanade /vˁanadɛ/ - black
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	Adjectives may or may not match the number of the noun, as there is a semantic difference<ref>e.g. "Her muscles were like steel cables" implies her muscles were strong, where "Her muscles were like a steel cable" implies they are arranged in a line</ref>		Adjectives may or may not match the number of the noun, as there is a semantic difference<ref>e.g. "Her muscles were like steel cables" implies her muscles were strong, where "Her muscles were like a steel cable" implies they are arranged in a line</ref>

			* visual adjectivization: -nt'i, affix
			* compositional adjectivization: -suk'a, affix
			* applicational adjectivization: -ante, inflection
			* behavioral adjectivization: -keihe, affix

	==== Comparison ====		==== Comparison ====
	yá-~~adjective-degree~~-~~PRS<ref>Note here that the adjective is used as a verb, and is placed as the head of a verb phrase</ref> subject: subject is degree adjective than object~~<ref group="Example references">e.g. yábannúda 'albín 'an bípoka \| ADJ-good-COMP-PRS NOM-1SG.AN than ACC-1SG.AN \| I am better than you (lit. am_better I than you)</ref>		comparative: ya-

			superlative: yami-

			<ref group="Example references">e.g. yábannúda 'albín 'an bípoka \| ADJ-good-COMP-PRS NOM-1SG.AN than ACC-1SG.AN \| I am better than you (lit. am_better I than you)</ref>

	=== Finite Verbs ===		=== Finite Verbs ===
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	attaches to verb		attaches to verb

	* ṡi~~: FUT~~		* FUT: -ṡi, affix
	* ~~sen~~: ~~PST~~		* PST: -emou, inflection

	==== Aspect ====		==== Aspect ====
	~~A single-mora~~ preverb ~~for which the note is based on the verb, despite preceding it.~~		Aspect is conveyed via a preverb

	* CONT - ḍoumou [-2,0]		* CONT - ḍoumou [-2,0]
	* PFV - qapana [-1,+3,-3]		* PFV - qapana [-1,+3,-3]
	* GNO - ~~kol~~ [-2]		* GNO - kou [-2]
	* HAB - yahi [+2,-1]		* HAB - yahi [+2,-1]
	goes before verb:		goes before verb:
	* kon-: INF		* kon-: INF

	~~=== Verb Postpositions ===~~

	==== Mood ====		==== Mood ====
	~~Mood is conveyed by musical tone~~		* plain - [0,+1,0]
	* plain - 0,+1,0		* MIR/BEND/OPT - [+2,-2,+1]
	* MIR/BEND/OPT - +2,-2,+1		* CONC/HYP - [+2,-1,-1]
	* CONC/HYP - +2,-1,-1
	* HORT		* HORT
	* JUSS		* JUSS
	* DUB/COND		* DUB/COND
	* ABIL		* ABIL
	* PERM		* PERM - [0,-1,+1] on root, -aeila[-1] inflection
	* PRESCR - +1,+1,0		* PRESCR - [+1,+1,0] on root, -t'outou[+1,-1] affix

	==== Evidentiality ====		==== Evidentiality ====
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	* -nobã: NEV		* -nobã: NEV
	* -tócí: SENS		* -tócí: SENS
	Negation
			==== Case ====

			*

			==== Negation ====
	* 'eeya: NEG		* 'eeya: NEG

MiaKvigan: /* Introduction */

2026-09-03T11:53:22Z

Introduction

← Older revision		Revision as of 11:53, 3 September 2026
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	==== Syllables ====		==== Syllables ====
	CV(CC), where C is any consonant and V is any vowel, ~~and~~ all words have V#. This does not define morae		CV(C), where C is any consonant and V is any vowel, all words have V#. This does not define morae.

	==== Morae ====		==== Morae ====
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	attaches to verb		attaches to verb

	* ~~-da~~: ~~PRS~~		* ṡi: FUT
	* ~~-'ãn~~: PST		* sen: PST
	* -lí: FUT

	==== Aspect ====		==== Aspect ====
	A single-mora preverb for which the note is based on the verb, despite preceding it.		A single-mora preverb for which the note is based on the verb, despite preceding it.

	* CONT		* CONT - ḍoumou [-2,0]
	* PFV		* PFV - qapana [-1,+3,-3]
	* GNO - kol [-2]		* GNO - kol [-2]
	* HAB - yahi [+2,-1]		* HAB - yahi [+2,-1]

MiaKvigan at 19:37, 2 September 2026

2026-09-02T19:37:10Z

← Older revision		Revision as of 19:37, 2 September 2026
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	==== Morae ====		==== Morae ====
	All root words have three morae, where morae must contain a vowel, such that the final vowel is either doubled or tripled to complete the morae.		All root words have three morae, where morae must contain a vowel, such that the final vowel is either doubled or tripled to complete the morae.

	~~==== Tones ====~~
	There are seven musical tones. Patterns of three tones are matched to the three morae of a word, and indicate its case. Dark consonants lower a tone by two notes from its base tone, or raise by one if already within two tones of the lowest. Major scales indicate the indicative (C major, CDEFGAB), interrogative (A♭ major, A♭B♭CD♭E♭FG), justificative (E♭ major, E♭FGA♭B♭C), energetic (F♯ major, F♯G♯A♯BC♯D♯E♯), and imperative (D major, DEF♯GABC♯) sentential moods.

	=== Phonotactics ===		=== Phonotactics ===
	~~CV ,where C is any consonant and V is any vowel~~

	V ~~can be lengthened twice or three times over~~		==== Syllables ====
			CV(CC), where C is any consonant and V is any vowel, and all words have V#. This does not define morae

	~~C can be geminated~~, ~~which is represented as 2(3<ref>digraphs geminate their first letter~~ only~~</ref>) consonants in the romanization but counts as~~ one ~~for phonotactics~~		==== Morae ====
			Mora always contain exactly one vowel phoneme, and may overlap. All content words have three morae, though some particles and prepositions have two or only one and must be memorized.

	There ~~is no set tense patterning~~, ~~as each mora is given equal weight~~		==== Tones ====
			There are seven musical tones. Patterns of three tones are matched to the three morae of a word, and indicate its case. Dark consonants lower a tone by two notes from its base tone, or raise by one if already within two tones of the lowest. Major scales indicate the indicative (C major, CDEFGAB), interrogative (A♭ major, A♭B♭CD♭E♭FG), justificative (E♭ major, E♭FGA♭B♭C), energetic (F♯ major, F♯G♯A♯BC♯D♯E♯), and imperative (D major, DEF♯GABC♯) sentential moods.

	==== ~~Rhyme scheme~~ ====		==== Stress ====
	~~In poetic meter~~, ~~geminated vowels are twice~~ as ~~long, and geminated consonants and stretched rhymes<ref>A stretched rhyme is a rhyme which has no gemination but~~ is ~~lengthened to accommodate for mismatch with the meter.</ref> are one and a half times as long.~~		There is no syllable stress, as each mora is given equal weight

	== Morphology ==		== Morphology ==
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	ṡu - 2.AN.FEM		ṡu - 2.AN.FEM

	ṿaeit'e - 2.AN.MASC		ṿaeit' - 2.AN.MASC

	tóó - 2.INAN		tóó - 2.INAN
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	The ''black cat'' watches me.		The ''black cat'' watches me.

	m \|E\| sameiṡa \|E-D-D\| ṿanade \|C-C-E\| noze \|E-F-F\| na \|F-E-E\|.		m [E] sameiṡa [E-D-D] ṿanade [C-C-E] noze \|E-F-F\| na \|F-E-E\|.

	Should ''I'' watch the black cat?		Should ''I'' watch the black cat?
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	==== Number ====		==== Number ====
	singular default, plus ~~dual,~~ paucal, and plural marked by ~~suffix on~~ a ~~stem~~ which ~~goes before tense and aspect~~		singular default, plus paucal and plural marked by a word which follows its complement

	~~dual: -dí~~

	paucal: ~~-ve~~		paucal: bou [+2]

	plural: -na		plural: la [-1]

	==== Gender ====		==== Gender ====
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	==== Aspect ====		==== Aspect ====
	~~goes after tense:~~		A single-mora preverb for which the note is based on the verb, despite preceding it.

	* ~~-bó: PROG.~~CONT		* CONT
	* ~~-len: PERF~~		* PFV
	* -~~món: GNO~~		* GNO - kol [-2]
	* -~~dada: HAB~~		* HAB - yahi [+2,-1]
	goes before verb:		goes before verb:
	* kon-: INF		* kon-: INF
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	* MIR/BEND/OPT - +2,-2,+1		* MIR/BEND/OPT - +2,-2,+1
	* CONC/HYP - +2,-1,-1		* CONC/HYP - +2,-1,-1
	* -
	* HORT		* HORT
	* JUSS		* JUSS

MiaKvigan: Named alignments

2026-09-02T14:29:22Z

Named alignments

← Older revision		Revision as of 14:29, 2 September 2026
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	A noun's semantic role in a sentence is indicated by a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead shifts in the opposite direction.		A noun's semantic role in a sentence is indicated by a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead shifts in the opposite direction.

	* agent of progressive verbs: 0,+1,-1		* agent of progressive verbs (nominative - NOM): 0,+1,-1
	* agent of stative verbs and copula, patient of progressive verbs: 0,-1,0		* agent of stative verbs and copula, patient of progressive verbs (direct - DIR): 0,-1,0
	* patient of stative verbs: -1,-1,+2		* patient of stative verbs (accusative - ACC): -1,-1,+2
	* indirect object of ditransitive verbs: -2,0,-1		* indirect object of ditransitive verbs (dative - DAT): -2,0,-1
	* noun complement ~~(Genitive)~~, patient of copula: -1,0,+2		* noun complement, patient of copula (genitive - GEN): -1,0,+2
	* oblique: +2,-1,0<br />		* anything else (oblique - OBL): +2,-1,0<br />

	ṿanade /vˁanadɛ/ - black		ṿanade /vˁanadɛ/ - black

MiaKvigan: /* Personal pronouns */

2026-09-02T00:34:36Z

Personal pronouns

← Older revision		Revision as of 00:34, 2 September 2026
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	tou - 1.INAN		tou - 1.INAN

	~~poka~~ - 2.AN		ṡu - 2.AN.FEM

			ṿaeit'e - 2.AN.MASC

	tóó - 2.INAN		tóó - 2.INAN

	~~dããd~~ - 3.AN		ḥana - 3.AN.MASC

			tani - 3.AN.FEM

	~~ken~~ - 3.INAN		ṭo - 3.INAN

	==== Deictic pronouns ====		==== Deictic pronouns ====

MiaKvigan: /* Phonology */

2026-09-02T00:24:36Z

Phonology

@@ Line 128: / Line 128: @@
 C can be geminated, which is represented as 2(3<ref>digraphs geminate their first letter only</ref>) consonants in the romanization but counts as one for phonotactics
-There is no set tense patterning, and tense is instead considered a part of intonation
+There is no set tense patterning, as each mora is given equal weight
 ==== Rhyme scheme ====

MiaKvigan: completely changed the language's alignment

2026-09-01T15:00:23Z

completely changed the language's alignment

← Older revision		Revision as of 15:00, 1 September 2026
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	==== Morae ====		==== Morae ====
	All root words have three morae, where morae must contain a vowel ~~and the first mora must contain a consonant~~, such that the final vowel is either doubled or tripled to complete the morae.		All root words have three morae, where morae must contain a vowel, such that the final vowel is either doubled or tripled to complete the morae.

	==== Tones ====		==== Tones ====
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	==== Personal pronouns ====		==== Personal pronouns ====
	~~bín~~ - 1.AN		na - 1.AN

	~~mam~~ - 1.INAN		tou - 1.INAN

	poka - 2.AN		poka - 2.AN
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	==== Role assignment ====		==== Role assignment ====
	A noun's semantic role in a sentence is indicated by a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead ~~does not change~~.		A noun's semantic role in a sentence is indicated by a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead shifts in the opposite direction.

	~~subject (Direct and Nominative): 0,+1,-1~~

	~~direct object: (Direct and Accusative): 0,-1,0~~

	~~subject complement (Indirect and Nominative): +1,-2,-1~~

	~~object complement (Indirect and Accusative): +3,-2,+1~~

	~~indirect object (Direct and Oblique): -2,0,-1~~

	~~noun complement (Genitive): -1,0,+2~~

	~~other (Indirect and Oblique): 0,0,0~~


			* agent of progressive verbs: 0,+1,-1
			* agent of stative verbs and copula, patient of progressive verbs: 0,-1,0
			* patient of stative verbs: -1,-1,+2
			* indirect object of ditransitive verbs: -2,0,-1
			* noun complement (Genitive), patient of copula: -1,0,+2
			* oblique: +2,-1,0<br />

	ṿanade /vˁanadɛ/ - black		ṿanade /vˁanadɛ/ - black
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	na /na/ - 1SG		na /na/ - 1SG

	The black cat watches me.		The ''black cat'' watches me.

	m \|E\| sameiṡa \|E-F-E\| ṿanade \|E-E-A\| noze \|A-A-A\| na \|A-G-G\|.		m \|E\| sameiṡa \|E-D-D\| ṿanade \|C-C-E\| noze \|E-F-F\| na \|F-E-E\|.

	Should ''I'' watch the black cat?		Should ''I'' watch the black cat?

	m \|C\| na \|C-D♭-C\| ~~nose~~ \|D♭-G-G\| sameiṡa \|G-F-F\| ṿanade \|D♭-D♭-F\|.		m \|C\| na \|C-D♭-C\| noze \|D♭-G-G\| sameiṡa \|G-F-F\| ṿanade \|D♭-D♭-F\|.


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	==== Mood ====		==== Mood ====
	Mood is conveyed by ~~the~~		Mood is conveyed by musical tone
	* plain - 0,+3,0		* plain - 0,+1,0
	* MIR - +2,-2,0		* MIR/BEND/OPT - +2,-2,+1
	* CONC/HYP		* CONC/HYP - +2,-1,-1
	* ~~OPT/BEND~~		* -
	* HORT/JUSS		* HORT
			* JUSS
	* DUB/COND		* DUB/COND
	* ABIL		* ABIL
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	=== Sentence Order ===		=== Sentence Order ===
	~~(T)~~AVP word order (e.g. When topic is the agent, AVP. When topic is the verb, VAP. When topic is the patient, PAV.)		AVP word order with topic marking (e.g. When topic is the agent, AVP. When topic is the verb, VAP. When topic is the patient, PAV.)

	Particles go ~~before~~ the words they attach to, and prepositions after		Particles go after the words they attach to, and prepositions after

	Adjectives may attach to any words except conjunctions and postpositions. They go directly after the word they attach to (except verbs, where they go after the postposition)		Adjectives may attach to any words except conjunctions and postpositions. They go directly after the word they attach to (except verbs, where they go after the postposition)

MiaKvigan at 14:09, 30 August 2026

2026-08-30T14:09:21Z

← Older revision		Revision as of 14:09, 30 August 2026
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	==== Tones ====		==== Tones ====
	There are seven musical tones. Patterns of three tones are matched to the three morae of a word, and indicate its case. Dark consonants lower a tone by two notes from its base tone, or raise by one if already within two tones of the lowest. ~~Chords~~ indicate the indicative (C major, CDEFGAB), interrogative (A♭ major, A♭B♭CD♭E♭FG), justificative (E♭ major, E♭FGA♭B♭C), energetic (F♯ major, F♯G♯A♯BC♯D♯E♯), and imperative (D major, DEF♯GABC♯) sentential moods.		There are seven musical tones. Patterns of three tones are matched to the three morae of a word, and indicate its case. Dark consonants lower a tone by two notes from its base tone, or raise by one if already within two tones of the lowest. Major scales indicate the indicative (C major, CDEFGAB), interrogative (A♭ major, A♭B♭CD♭E♭FG), justificative (E♭ major, E♭FGA♭B♭C), energetic (F♯ major, F♯G♯A♯BC♯D♯E♯), and imperative (D major, DEF♯GABC♯) sentential moods.

	=== Phonotactics ===		=== Phonotactics ===
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	==== Role assignment ====		==== Role assignment ====
	A noun's semantic role in a sentence is indicated by a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 1-1-1, and when having an intermediate dark consonant becomes 3-1-1), and if a case note shift would leave the octave it instead does not change.		A noun's semantic role in a sentence is indicated by a pattern of musical tones. The starting tone of the sentence is established by a hum, and is typically the third note, and the numbers are the note shifts (e.g. -1 means shift one note down in the chord, and +1 means shift one up). When a note is shifted by a dark consonant, it also shifts the subsequent notes (e.g. 0,0,0 on starting note 3 is 3-3-3, but when beginning with a dark consonant becomes 2-2-2, and when having an intermediate dark consonant becomes 3-2-2), and if a case note shift would leave the octave it instead does not change.

	subject (Direct and Nominative): 0,+1,-1		subject (Direct and Nominative): 0,+1,-1
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	other (Indirect and Oblique): 0,0,0		other (Indirect and Oblique): 0,0,0



Line 243:		Line 244:
	sameiṡa /sameʃa/ - cat		sameiṡa /sameʃa/ - cat

	~~nose~~ /~~nɔsɛ~~/ - to watch		noze /nɔzɛ/ - to watch

	na /na/ - 1SG		na /na/ - 1SG
Line 249:		Line 250:
	The black cat watches me.		The black cat watches me.

	m \|E\| sameiṡa \|E-F-E\| ṿanade \|E-E-G\| ~~nose~~ \|G-G-G\| na \|G-~~F-F~~\|.		m \|E\| sameiṡa \|E-F-E\| ṿanade \|E-E-A\| noze \|A-A-A\| na \|A-G-G\|.

	Should ''I'' watch the black cat?		Should ''I'' watch the black cat?

	m \|C\| na \|C-D♭-C\| nose \|D♭-E♭-E♭\| sameiṡa \|E♭-D♭-D♭\| ṿanade \|A♭-A♭-C\|.		m \|C\| na \|C-D♭-C\| nose \|D♭-G-G\| sameiṡa \|G-F-F\| ṿanade \|D♭-D♭-F\|.

	~~CCD♭CD♭E♭E♭E♭D♭D♭A♭A♭C~~

	A♭B♭CD♭E♭FG		A♭B♭CD♭E♭FG

MiaKvigan at 17:50, 29 August 2026

2026-08-29T17:50:09Z

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